A Voice Apart

What do we mean by that? Firstly, any person should possess a healthy voice which is also consistent with the persons' height, weight and the their inner ‘make-up’ in general. Sometimes, and luckily not too often, you can see a quite petite woman, but yet hear her heavy and 'bassy' voice. A good example would be two well-known actresses (one of whom is also a singer). The singer/actress is Miley Cyrus and the other actress is Julia Stiles - pretty girls that are speaking with much heavier voices then their physiques would ever suggest.  We, in fact, at The Royans Professional Vocal School , would be able to get rid of the heaviness and thickness of their quite-low voices. If they (or them alike) embraced the Vocal Science technique, their voices would be lifted off of their (somewhat) heavy and thick vocal cords, which were given to them at birth. The thicker the vocal cords are, the lower voice will prevail. And, on the contrary, if the person poss

“What do you mean by that”, you, my reader, may ask?’ To explain better, I first will give you an example concerning figure skating, which will be very-much-so related to our topic on voice mechanics down the road. I think, by now, a lot of you know that I am a big fan of figure skating (and ballet for that matter); and in my childhood and adolescence, I was taking skating for many years and taking it very seriously. Given that, I know a lot about it, even though that I did not become a professional figure skater myself (to my dismay and biggest disappointment). I just recently (watching live and on TV, Skate Canada) witnessed some skaters literally stepping out of the “circle”. Our Canadian pair (Meagan Duhamel and Eric Radford) skated fabulously; but then Meagan fell on a free skate, indeed, stepping out of the circle.  The commentator, Tracy Wilson, said (with these the exact same words) “She gets out of the circle and really came down hard”.

Let’s find out what you’ve got! And also, let’s find out what I mean by definition of the “instrument” and the “player”. What I mean by the “instrument” is the height and weight of the person, his/her outer and inner “opening” of the vocal anatomy as well as the pitch and tonality of their voice; not to mention many other components, which will also come into play (in a manner of speaking). Quite often, I have been asked if it is possible to increase the capacity of one’s “instrument”. I can compare it with extending an average sized keyboard to a much bigger upright piano, so that it would be possible to recite on it, let’s say, a Concerto by Tchaikovsky (or something like this of that caliber). My answer is that it is possible to a degree. Over the years, I had singing students coming to me, possessing a very small mouth, short height and small body frame overall. Due to my  very specially designed speech and singing exercises , I was definitely able to stret

The answer is: Dealing with something serious like that cannot be self-served. Nevertheless, one of the commercials on weight loss for men says: “If you could do it alone, you would’ve done it already.” -  Harvey Brooker Indeed, but some people still think that if they knew the diagnosis and somewhat (in theory) how it could be treated, they would have attempted fixing their vocal issues by themselves… The fact is that any voice problem, by definition, is already an internal problem; and thus, has to be treated very seriously and by a  qualified voice specialist . The work with a  damaged voice  is usually very detailed and very intense, which applies to both sides: The injured client and the voice repair specialist. Without the guidance of a highly qualified professional, it is virtually impossible for the sufferer to lift their voice and re-channel it into the different set of muscles altogether; and on top of that, put those muscles (facial and abdominals) to