Tuesday, May 24, 2016

Could Vocal Talent Alone Assure Your Vocal Performance Career For Life?

Evidently not…

It sounds ridiculous, doesn’t it?

Let’s analyze what has been happening in the last few years and, nevertheless, recently:

Majority of our very talented artists had experienced vocal problems in one-way or another.

A lot of them had undergone vocal operations:

And that’s to name a few…

All of the above listed people are talented artists, but obviously, majority of them had been lacking the proper vocal technique; and thus, they ended up having vocal issues (and some of them more serious then others).

Could they have avoided the interruption of their professional lives, careers, joy and monetary loss?

No doubts they could - They just could have been more attentive to the technical aspects of their craft and not just rely on their talents and love for music.

Could you imagine a figure skater trying to jump a triple or quad not knowing what it consists of and, moreover, not having proper muscle training assuring that the physical body could withhold the weight of the landing of such jump?
Also, if you think of ballet dancers who work at the bar at least 4 to 8 hours a day, would you imagine them doing ‘pirouettes’ and ‘pas se deuxs’ wearing point-shoes and having no prerequisite with regards to what they are doing?

In this case the serious injuries would, no doubts, occur.

They, nevertheless, have to be able to keep their whole body weight on those toes of theirs.

That means that their balance has to be unshakable, their point-shoes techniques have to be immaculate and their ballet elements (separately and in correlation), have to be ‘on point’. (no pun intended)

So where do the singers come with the idea that the technical aspect of using their voices properly and efficiently does not necessarily need to be embraced?

Lately, it has been all about the show and showmanship.

For example: there has been about $40,000,000 dollar stage, built for Bono’s performance.

That said, basically, everything had been in place to cover up the inadequacy of a true vocal performance.

How sad is that? Very sad, indeed!

If our truly talented artists possessed a proper vocal technique, which would protect and save their voice for life, we would not be hearing (unfortunately, quite often) on the news about the next upcoming vocal surgery of the next pop-star.

Go figure!

Thursday, May 19, 2016

Vocal Science - Holistic Approach (Part II): How could it help adults to open up and deal with stuffed-up emotions?

*Mind, body and soul... and your voice* 

In 1984, we have opened the school, which was originally named: The Royans School for the Musical Performing Arts. Almost right from the start, we have enrolled over 100 students, consisting of children, teenagers and adults.

After my partner (the second Royan) had passed away in 1986, a year after, (in 1987), I changed the name of the school and it became well known as The Royans Professional Vocal School. And at that time, the school became primarily an adult vocal school and children became a minority. However, we always have been working with teenagers and young adults, developing their talents for the music industry at large.  Nevertheless though, working primarily with adults, provided me with a lot of experience and education concerning North American mentality.

Being an educator by trade and a very inquisitive person by nature, I have been tuning in to those adults who allowed me to get themselves under my care; and not only vocally, but holistically over all. They allowed me "in" (so to speak) and carried on with quite intimate details about themselves, their families and their relationships.

Not all of them, by far, enrolled in my program out of happiness.

On the contrary, a lot of them possessed stuffed-up emotions sitting deeply inside of them, and also a lot of hurt and very low spirits. I always said that the voice is your “spirit” and has to be discovered, uncovered and ‘made to be flown away from the physical body’. So their vocal training had consisted of a lot of counseling on life in general and their lives in particular.

Via special speech exercises and specially selected scripts (peculiarly enough) quite related to their situation in general and even their own situation in particular, they have been able to open up their chest (in which the human beings usually hold a lot of unreleased emotions) and thus, to bring their voices (i.e., their spirits) up and out onto the surface.

With the lift of their voice off of the vocal anatomy and (so to speak) un-stucking it from within, they felt much more released, and nevertheless, much freer from whatever was bothering them in the recent and even distant past.

The freer the sound of the voice is, the freer the person will feel.

Once the voice is discovered and gets to be flown, the person feels that he/she had acquired “wings” in a manner of speaking. So now, we had killed two birds with one stone, so to speak.

The voice got developed in its fullest capacity; the “Genie in the bottle” got freed up and flew to the Universe where the sky is the limit; and thus, the person finally got free from all of the stuffed-up emotions and inhibitions. The confidence now is soaring, as the great knowledge and understanding took place.

So, you (my reader) should agree that, all and all, it is a WINNING combination; and, no doubt, WINNING situation on every level.

Good luck to all of you with best of health, best of spirit and, nevertheless, best of voice!

Tuesday, May 10, 2016

Vocal Science - Holistic Approach (Part 1): How could it help children to open up and deal with stuffed-up emotions?

Teaching for nearly 42 years, I have dealt with children, teenagers and, nevertheless, with adults of all ages and walks of life.

Children and teens definitely require more effort and more care. Some of them are very emotionally fragile and sensitive, especially when they are approaching puberty at the age of 12 to 14. A lot of them become practically silent and very closed-in inside. Naturally, they don’t speak much; their speaking voice becomes low and dull.

They are basically living in their inner-world.

Recently, I was travelling to Dallas, Texas to work on a person with a paralyzed vocal cord. She happened to have one of her granddaughters, who was about to turn 9 years old. My client’s daughter, at the dinner table, did confess to me that her older daughter was hardly speaking to her; and moreover, was put in a special class for children with dyslexia. When I met this beautiful girl, who hardly looked beautiful, as she was so down and obviously (in my opinion) was quite misunderstood.

I asked her to read the same script that her grandmother did during our sessions with her; and she read it perfectly and definitely without any signs of dyslexia.

Go figure…

Of course, my approach to a child was vastly different then my approach would be to any adult. I am using certain body movements, which help the client to lift the voice off of their physical body and re-channel it into the different set of muscles (their facial muscles and their abdominal muscles for the greater support of the lifted voice). With the little girl, I turned it into a ballerina game!

She loved to be tall, slim and beautiful ballerina, while concurrently; I was lifting her speaking voice. And then, to everybody’s astonishment, the little girl had begun to sing!

Then we have learned that she had always wanted to sing!

But she never knew how to and her speaking voice (and nevertheless, her spirit) was positioned extremely low and her speaking voice was coming out with an extremely low tone. At her eight years of age, she was considered to be a complete outcast with a diagnosis of dyslexia, which never had been present in the first place.

Within an hour, this child turned into an absolute beautiful angel with no inhibitions whatsoever!

Continuing communication with my original voice repair client (her grandmother), I was told that the child joined a school choir, being much more talkative and much more happy. The transformation (personality, spirit and voice repair) was inevitable and, in this case, miraculously got complete within only an hour and a bit.

Way to go, little angel!

Stay tuned for other case studies concerning children, teenagers and lastly, adults.

Friday, May 6, 2016

How To Master Your Speaking And Singing Voice… Scientifically Speaking!

Spending over 32 years running my own professional voice/vocal business, I have been working with (estimated) over 20,000 clients on their speaking and singing voices. Luckily, the mechanics (which are applicable for the speaking and singing voice) are exactly the same.

Both my speech (The Total Communicator Course) and singing course begin with exactly the same speech exercises. Those exercises have a very important purpose, as they are designed to relieve the pressure of the sound from the vocal anatomy as a whole.

The wholesome mechanism takes place to allow the voice to work in the fullest capacity possible with no pain or strain on the vocal anatomy. The voice, restructured to the facial muscles, begins to work in full conjunction and coordination with the abdominal muscles, which play the role of the support for the lifted sound. And the upper diaphragm muscles (rib cage) assure the width and the body of the sound.

When all of the components of that wholesome mechanism begin work simultaneously, the voice then becomes supported, structured, placed and projected to its aimed destination. The speaking voice begins to sound clearly enunciated and projected.

The latter is good preparation for embarking upon the singing voice development. Utilizing the same mechanics as for the speaking voice, now it is the time to address the musical side of it.

In this case, the singer-to-be represents the “Instrument” and the “player” at once. The physical body and its emotional makeup would represent the “instrument”. The proper application of the speaking and singing voice will represent the “player”. If the “instrument” is in good physical and emotional balance, the voice (which will be bouncing off of it) will sound that much better. The future singer should know the parameters of his/her “instrument” to be able to apply the sound above the physical anatomy (an out-of-body experience, so to speak…)

Therefore, needless to say, before attempting to sing any song, the music analysis of the chosen song should be applied. Any song consists of certain combinations of sounds, duration and pitch, (i.e., intervals). During the singing exercises, all possible combinations of sounds, duration and pitch, should be addressed.

Also, the situations where those combinations may exist will also have to be addressed.

With that said, once you are aware of all of the combinations and all of the situations (where those combinations may and will exist), you will become the owner of your voice. (Speaking and Singing).
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